So I had the fanfare at the beginning and then the theme which is very sad, because this guy's a loser. "In the tenth reel," Conti continued, "he gets to train for a big fight, and we want to manipulate the audience to think that he can win. He loses." Conti wrote three other thematic pieces aside from the main theme, a brass fanfare ("We were talking about what heroic music is, and I hear brass and I hear loud when it's time to go into battle"), a driving cue for the eventual fight scene called "Going The Distance," and the dramatic finale "The Final Bell." But the film-and series-would be defined by "Gonna Fly Now," especially that montage. Responsible for the "Rocky" theme and score is American composer Bill Conti, whose other famous works include the score and song for James Bond adventure " For Your Eyes Only" and the classic theme tunes to TV's "Dynasty" and "Cagney & Lacey." #Rocky song theme seriesRocky's theme is subtitled "Gonna Fly Now," a result of adding lyrics to the theme for the big training sequence, the first of many montages across the eight films in the series including, the latest, " Creed II." The franchise has long been criticized for being formulaic, and while that's not especially incorrect, what's interesting is that perhaps the most predictable moment in the films-the appearance of "Gonna Fly Now"-is the one most look forward to. And when we hear Bill Conti's stirring theme from " Rocky" we feel passion, we feel inspiration, and the confidence to beat the odds. This is why when we hear Bernard Herrmann's "Psycho" strings we immediately feel panic when we listen to Ennio Morricone's harmonica strains from "Once Upon A Time In The West," we feel the tension of an approaching gunfight. Fans who grew up with the films and are looking for a blast of nostalgia will have their nose broken (in a good, metaphorical kind of way) by this audio companion, while listeners who somehow managed to avoid getting on the Rocky train will wonder what all of the fuss was about.The point of a music score is to illustrate what's going on in a character's head and in their heart. Luckily, there are no tracks from Stallone's lesser brother, Frank, who peppered the soundtrack to Rocky III with some truly dreadful disco/lounge abominations, but that didn't stop the producers from inserting Conti's equally detestable "Can't Stop the Fire" from Rocky V, which should have been replaced with Vince DiCola's "Training Montage" from Rocky IV. That means that for better or for worse, the listener gets an Italian Stallion jukebox stocked with '80s nuggets from Survivor, Robert Tepper, John Cafferty, and James Brown, as well as all of the key themes from the baton of Conti. By turning Rocky Balboa into a "greatest-hits" collection, Stallone has preserved the American icon in amber without injecting any botox into him, despite the unnecessary inclusion of "panic buttons" like "It's a Fight" by Three 6 Mafia and a remix by John X and Natalie Wilde of composer Bill Conti's timeless "Gonna Fly Now" theme. The soundtrack for Rocky Balboa, the sixth and final installment in Sylvester Stallone's seemingly endless boxing epic, eschews the usual mixture of new score and hip mainstream acts for a museum of old cues and acts that were once mainstream.
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